What Wittgenstein’s Duck/Rabbit has to do with theatrical duality
On the recommendation of my colleague Grahame Renyk, I finally got around to reading “Infiction and Outfiction: The Role of Fiction in Theatrical Performance” by David Z. Saltz. (Full citation […]
View ArticleAnother View on Theatre Animals
This invariably happens when I am in the reading phase of a research project. I will encounter an article or chapter or book that from the library catalogue sounds like […]
View ArticleActing and Non-Acting part 2
Continuing to think about Michael Kirby’s model describing a spectrum of acting through not-acting. At the non-acting end, (as discussed in my previous post) Kirby suggests that performers who appear […]
View ArticleRed Lipstick Macbeth and Masculinity
In her post “Red Lip, Classic(al)” theatre blogger (and my senior thesis student) Morgan Anderson considers two specific costuming choices in Queen’s School of Drama and Music’s recent production of […]
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